(1861-1933) was born in Norwich, Connecticut in 1861. He first became interested in art in Minnesota, where the family moved when his father became rector of an Episcopal Church there. As a young man, Walden moved to Paris where he studied painting with Carolus-Duran. In around 1893-97, Walden was in England, living in Falmouth. Paintings of Cardiff in Wales are in museums in Cardiff and Paris. Walden received medals from the Paris Salon and was made a Knight of the French Legion of Honor. He visited to Hawaii in 1911 and several times thereafter. Walden died in Chantilly, France in 1933. According to David H. Forbes, author of Encounters with Paradise: Views of Hawaii and its People, 1778-1941, Lionel Walden "was the finest seascape painter to work in Hawaii". The Brooklyn Museum, the Henry Art Gallery (University of Washington, Seattle), the Honolulu Academy of Arts, the Isaacs Art Center (Waimea, Hawaii), and the Musee d'Orsay are among the public collections holding works by Lionel Walden.   Related Paintings of Lionel Walden :. | Hawaiian Coastal Scene, oil painting by Lionel Walden | The Torchlight Fishermen | Hawaiian Coastline, oil painting by Lionel Walden | The Bathers, oil painting by Lionel Walden, | Volcano |
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Francisco Pradilla Ortiz
(July 24, 1848 - November 1, 1921) was a prolific Spanish painter famous for creating historical scenes. He was born in Villanueva de Gellego, near Zaragoza in Aragon, and studied initially in Zaragoza and then transferred to the Real Academia de Bellas Artes de San Fernando and the Academia de Acuarelistas in Madrid. In 1873, he won a scholarship to go to Rome. From there he had opportunities to travel to France and Venice and studied the old masters. In 1878 he submitted his painting Doña Joanna of Castile or (Juana la Loca) to the National Exhibition in Spain and was awarded the Medal of Honor. The Spanish Senate then commissioned him to create La Rendicien de Granada (The Surrender of Granada) that took him three years to complete (1882). In 1881 he became the Director of the Spanish Arts Academy in Rome, but resigned from this post after two years. He traveled, mostly in Italy, portraying local themes and people. In 1897 he returned to Madrid as the director of the Museo del Prado. He held this position only briefly and then focused again on painting. His total output is well over 1,000 paintings showing his interest in a variety of subjects and styles, often without regard of the current fashion. He is primarily recognized for his historical paintings, the last one completed in 1910 carries one of the longer titles of a major painting, Cortejo del bautizo del Prencipe Don Juan, hijo de los Reyes Catelicos, por las calles de Sevilla (Retinue of the Baptism of Don Juan, son of the Catholic Monarchs, Along the Streets of Seville). Much more common, however, are costumbristaseoften romanticized studies that show local customs or mannerseand landscapes that are often sketchy, with impressionistic influences. Financial duress after the bankruptcy of his bank may have imposed a special need to be productive. He died in Madrid in 1921 at the age of 73.
Georg Macco
Germany (1863- 1933 ) - Painter
Luca Giordano
1632-1705 Italian Luca Giordano Gallery Charles II of Spain towards 1687 invited him over to Madrid, where he remained for 10 years (1692-1702). In Spain, he produced works for the Royal Palace of Madrid, the Buen Retiro palace, El Escorial, Toledo, and other sites. Giordano was popular at the Spanish court, and the king granted him title as a "caballero". One anecdote of Giordano's speed at painting is that, he was once asked by the Queen of Spain what his wife looked like. On the spot, he painted his wife into the picture before him for the Queen. In Spain he executed numerous works, continuing in the Escorial the series commenced by Cambiasi, and painting frescoes of the Triumphs of the Church, the Genealogy and Life of the Madonna, the stories of Moses, Gideon, David and the Celebrated Women of Scripture, all works of large dimensions. His Dream of Solomon (1693, now at Prado) dates from this period. His pupils, Aniello Rossi and Matteo Pacelli, assisted him in Spain. In Madrid he worked more in oil-colour, a Nativity there being one of his best productions.